{"id":22917,"date":"2016-11-09T20:42:37","date_gmt":"2016-11-10T01:42:37","guid":{"rendered":"https:\/\/huntsville.dopperonline.ca\/?p=22917"},"modified":"2016-11-09T20:49:14","modified_gmt":"2016-11-10T01:49:14","slug":"pipe-man-ceremony","status":"publish","type":"post","link":"https:\/\/doppleronline.ca\/huntsville\/pipe-man-ceremony\/","title":{"rendered":"Ceremony today acknowledged that everyone’s talking about Pipe Man"},"content":{"rendered":"
<\/broadstreet-zone><\/strong><\/div>\n

Public art, and art in general, are often subject to critical inspection which sometimes tips in its favour and sometimes not. Huntsville\u2019s latest public art installation, Pipe Man, an 18-foot tall monument to Tom Thomson which floats in the Muskoka River adjacent to the Town Docks, is no different. Since it was installed on November 3, reaction has been swift with some loving it, some hating it, and some wondering what the heck it is.<\/p>\n

Today (November 9), an official ceremony to recognize Pipe Man, and the generosity of local businessman Jan Nyquist for donating it, acknowledged the debate it has engendered.<\/p>\n

\u201cI know (art) is important for our souls and it\u2019s important for our discourse,\u201d said Mayor Scott Aitchison. \u201cAnd if Facebook is any indication, this latest installation has provided lots of opportunity for discourse\u2026 people are talking about it and I think that\u2019s fantastic. That\u2019s exactly what should happen.\u201d<\/p>\n

Aitchison noted that Pipe Man\u2019s subject, along with the Group of Seven painters, endured heavy criticism for their art. \u201cThey thought it was ugly. I\u2019m told that some conservative critics thought that the paintings looked like the contents of a drunkard\u2019s stomach. And when the National Gallery of Canada bought Arthur Lismer\u2019s September Gale in 1926 (with public funds), there were protests and it was referred to as \u2018the greatest abortion of a work of art ever seen in our fair city\u2019. There were protests against the use of public funds to acquire such \u2018hideous, freakish and unnatural paintings by artistic perverts\u2019. I guess everything finds its time.\u201d<\/p>\n

I hope this piece of art reminds people that that\u2019s what it\u2019s about: having us have a conversation with each other, and to remind each other that we\u2019re all part of this community and that the more we talk to each other the better off we are.
\nMayor Scott Aitchison<\/cite><\/p><\/blockquote>\n

Nyquist, owner of Pipefusion and NyDock, donated Pipe Man in honour of his company\u2019s 35th<\/sup> anniversary. He thanked the mayor, councillors, and Town staff, in particular Teri Souter, for their support of the project, along with artist Beverley Hawksley for her artistic vision and Pipefusion and NyDock staff \u201call of whom played a role in one way or another, conceiving, designing, creating, building, fine-tuning, and implementing this unique monument. I sincerely hope that Pipe Man instills creative conversation and interest for Huntsville residents and visitors for the benefit of our community.\u201d<\/p>\n

Pipe Man depicts a stylized image of Tom Thomson smoking a pipe. Beverley Hawksley, after consultation with the company\u2019s staff on the theme for the piece, approached the National Archives of Canada for permission to use the likeness of Thomson from a 1914 photo as inspiration. The other side of the piece has 35 ripples representing Pipefusion\u2019s years of business in Huntsville.<\/p>\n

\"Tom

Tom Thomson at Canoe Lake, 1914 (Photo: National Archives of Canada\/Blair Laing)<\/p><\/div>\n

\u201cWe sat around a table and everyone had ideas to honour the length of time Pipefusion has been here as well as our own historical significance,\u201d said Hawksley. \u201cIt just seemed that he, being so well known here and his story being part of Huntsville\u2019s history, it just seemed to match.\u201d<\/p>\n

I think it looks great. I think public art can be challenging because it\u2019s not in a gallery and people aren\u2019t making a choice to walk in to see an exhibit. All sorts of points of view come to the forefront and that\u2019s the great thing about public art \u2013 whether people like it or don\u2019t like it I think that it\u2019s exciting to talk about it. It was exciting and challenging and I am extremely pleased.
\nArtist Beverley Hawksley<\/cite><\/p><\/blockquote>\n

The 100th<\/sup> anniversary of Tom Thomson\u2019s death in 2017 was also part of the impetus for the design. \u201cIt is still an enduring Canadian mystery and it\u2019s of interest to people from all over the world,\u201d said Teri Souter, the Town\u2019s Manager of Arts, Culture and Heritage. \u201cThe material that it\u2019s made out of is a newer, modern material but that\u2019s something Tom did with his work \u2013 really be avant-garde and push the envelope.\u201d<\/p>\n

\"Huntsville

Huntsville Planing Mills was a successful business for decades on the shores of the Muskoka River, where River Mill Park is now (Photo: Muskoka Heritage Place)<\/p><\/div>\n

Souter also drew a connection between Pipefusion\u2019s manufacturing success with Huntsville\u2019s industrial and manufacturing history. \u201cHaving it be gifted to us by Pipefusion, which is a manufacturing company that is successful in our community when there\u2019s not a lot of manufacturing left in Ontario, is something to also be celebrated.\u201d<\/p>\n

She said she\u2019s not surprised by the discussion about the piece\u2019s value or validity, but respects people\u2019s reactions to it. \u201cThe biggest and most iconic (of public art installations) is the Eiffel Tower which was panned by the critics of the time. Now, Tom is not ever going to be the Eiffel Tower but he may add something to our downtown core on this waterway that was historically where industry grew. My hope is that people will see Pipe Man and find out more of the story and say, \u2018wow, I didn\u2019t know that\u2019.\u201d<\/p>\n

Learn more about Pipe Man here<\/a><\/u>.<\/p>\n

Don\u2019t miss out on Doppler! Sign up for our free, twice-weekly newsletter here<\/u>.<\/a><\/strong><\/p>\n

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Public art, and art in general, are often subject to critical inspection which sometimes tips in its favour and sometimes not. Huntsville\u2019s latest public art installation, Pipe Man, an 18-foot […]<\/p>\n","protected":false},"author":1903,"featured_media":22920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[26],"class_list":["post-22917","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-breaking"],"acf":[],"yoast_head":"\nCeremony today acknowledged that everyone's talking about Pipe Man - Huntsville Doppler<\/title>\n<meta name=\"description\" content=\"Public art, and art in general, are often subject to critical inspection which sometimes tips in its favour and sometimes not. 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